While extending the dialogue between semantics and consciousness that Hill has advanced since the late 1970s, Incidence of Catastrophe reaches beyond these parameters in depicting the synesthesia of reading and the dreamwork of the text. Inspired by Maurice Blanchot's novel Thomas the Obscure and the experience of observing his child acquiring speech, Hill's heuristic tour de force grounds the viewer in the activity of becoming the text through a succession of evocative scenarios and motifs that detail a gradual descent into language and its labyrinth of representational configurations. Literacy is seen as soul-sickness; the final image of a drowned man before a wall of words expresses the abjection of the body in Western society's semantic culture. Hill's "writing" on Blanchot is so relentlessly revelatory, each layer of amplification so remarkably well positioned, that it inspires hopes of vital new relationships between artistic and critical practices in literature and video.

An ambitious newspaper reporter (Dick Powell), eager to scoop the competition, wishes he could know the news before it happens. A mysterious old man (John Philliber) grants the reporter that power, even as he cautions against using it. Now able to predict the news 24 hours in advance, the reporter goes about scooping all the other papers, picking sure-fire winners at the race track, and enjoying life... until he learns -- in advance, of course -- of his own death. Our hero's problem: How can he keep the future from happening?(imdb) 　　主人公每天晚上都收到一份次日早上出版的报纸，他获悉自己在数小时内即将毙命，然而他却幸存下来了。（乔治·萨杜尔《世界电影史》）

1952年嘎钠国际电影节金奖提名。 　　Dominga, mujer de caracter, vive en el barrio de La Boca, y maneja el negocio familiar, ya que su marido esta en la cárcel por haber matado aun hombre en forma accidental. El tiempo pasa, los hijos crecen, y Dominga consigue que sean jóvenes íntegros. Es entonces cuando decide contarles la verdad sobre su padre...

斯蒂芬妮（斯蒂芬妮·鲍尔斯 Stefanie Powers 饰）和萨宾娜（斯蒂芬妮·鲍尔斯 Stefanie Powers 饰）是一对拥有着几乎完全一样样貌的孪生姐妹。斯蒂芬努虽然结婚了，但婚姻并不是很幸福，如今，她带着两个孩子和丈夫正处于分居之中。萨宾娜一直都保持单身，混迹于古董收藏圈子里，她的自由和洒脱令斯蒂芬妮感到十分的羡慕，而萨宾娜也对每天在那些臭男人堆里周旋应付倍感厌倦，姐妹两人一拍即合，决定秘密的交换身份。 　　在体验妹妹的生活期间，斯蒂芬妮震惊的发现妹妹的古董商朋友竟然在私底下贩毒，于是斯蒂芬妮报了警，谁知道遭到了贩毒团伙的报复，不幸身亡。与此同时，萨宾娜渐渐爱上了自己的姐夫和侄儿们。

香港第一部以摄影为主题的纪录片。本片记录了一次不同寻常的旅行。十四位不同背景的香港摄影师，六位专业的台湾模特，五天四夜不间断的主题拍摄。从香港到台北，摄影师们一路身体力行，用相机演绎各自心中的故事。镜头前，相片后，旅途结束之时，生活也将重新定义。

作品核心是对影像观看机制的探讨与实验。尝试重造一种存在于现实空间与意识空间之外的，具有暧昧特征的空间。日常生活的片段和非线性叙事的片段被相互穿插推进叙事，这也对应了观者的两种观看状态，回神与出神，如果在观看时试图去寻找一种清晰的边界定位，那么它会不断的带着你出神又回神，在大雾中展示出无法明晰的形象。

暂无剧情简介

Like all of Winsor McKay's cartoons, this little mosquito fable uses his incredible artistic talent to its fullest and contains a surprising amount of wit for such a simple, short subject. Like his newspaper cartoons, McKay's animated films are distinctive in their art and humor, but the animated films are especially interesting because they lie at the very root of cartoons. Gags that are still being used today appear in this little gem. The collected works that contains Mosquito provides an amazing insight into a brand new art form that had unbounded possibilities in the early 1900s, possibilities that arguably are still unfolding today

It's a peaceful day in a local city when suddenly, duck J.J. Fate appears to lecture us on how "fate" isn't to blame for accidents, people are! He uses Donald Duck as an example. Donald is extremely accident prone. He lights his pipe in a room with a gas leak, slips on a throw rug while carrying a fish bowl, overloads electrical outlets, and continually falls down the stairs. Finally, Donald has had enough and fixes his house guaranteeing no more accidents. That's good for Donald but the rest of the accident prone city still has to learn "not to blame fate for your carelessness".

本片深入探究了给日本造成重创的地震与海啸背後的科学原理，本期节目将带领观众们随着地理学教授Roger Bilham的旅程，深入到震後仅数天後的日本。